Logic pro x compressor8/8/2023 ![]() Mapped against the transients of the input, the Graph displays the movements of the compressor over time. Thanks to the new Graph Display feature, though, Logic Pro X’s Compressor is a breeze to set up. One area that can cause confusion is the Attack and Release settings. Once you’ve found your desired Threshold and Ratio, therefore, consider switching Auto Gain to Off and then manually adjusting the Make Up control to ensure consistent output levels with and without compression. That said I often find that the gain Make-Up, though great for auditioning purposes, can be over generous in its output settings. Ideally, you want to achieve some movement both in and out of the Gain Reduction, so that the signal has time being both compressed and un-compressed.Īs you set the compression, note how Compressor’s Auto Gain compensates for any Gain Reduction that’s taken place, letting you hear the result of your Threshold/Ratio settings without having to constantly adjust the output Make-Up control. Starting from a high threshold setting, lowering the threshold will result in more compression being applied, indicated by the aforementioned Gain Reduction meter. Begin by setting the strength of compression you want – varying from a soft and subtle 1.4:1, through to harder-edged compression at 5:1 and almost limiting at 12:1. Setting the Threshold and Ratio on Logic Pro X’s Compressor is easy thanks to the reactive and visually-striking Gain Reduction Meter. As a result of this process a signal will potentially benefit from increased loudness, as well as an increased amount of body and sustain. Put simply, the compressor attenuates loud signals, effectively reducing the dynamic range of the input. Signals that exceed a given threshold are attenuated at an amount defined by the ratio. ![]() With this in mind, we thought a revised and in-depth look at Logic Pro X’s Compressor plug-in was perhaps well overdue…Ĭrossing the Threshold The basics of compression, of course, revolve around the interaction between threshold and ratio. It also highlights some key sonic differences between it and the seven other compressor models on offer in Logic. ![]() While the functionality of the latest compressor incarnation hasn’t changed too greatly from the original version, its redesigned GUI offers some key functional improvements in terms of the plug-in’s day-to-day operation. ![]()
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